Lizette Chirrime has been shortlisted for The Norval Sovereign African Art Prize 2025.
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“Ancient The Modern” a group exhibition featuring artworks that explore the concept of cultural regression and the effects of conservative ideologies on contemporary culture through art.
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““I’m intrigued by how accessible brands in fashion shape personal identity, often becoming symbols of subcultures. These brands were designed for practical and everyday use but end up as a form of self-expression and authenticity.”
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Posed, at once, as a question, a precipice, and a pursuit, Geena Wilkinson’s The Right Moment, prompts of her viewers a utopian style of thinking; calling into question the primacy of commodity relations, and playfully imagining – though not without a degree of threat – an alternative, sweeter and more desirable future.
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Aluta Null uses Glitch art to show the bizarre and often incoherent changes that happen when alterations are made to the core essence of things.
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Permit me to weather on this cherry chaiere is a an exhibition about insisting on the space or freedom to be oneself. The word chaiere is from Middle English – a form of English spoken between the 11th and the 15th century – and can refer to a comfortable seat, a raised seat or throne, or a position of authority.
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